Production waste loaded into a caged van at a film shoot

Plan the waste before the shoot.

Productions plan every department except the one that clears up after them. A waste plan takes an hour and saves the last night of the shoot.

THE SHORT ANSWER

To plan waste for a shoot, list where waste will come from (set, unit base, catering, deliveries), decide which streams you will separate, book collections around wrap times and base moves, and agree access and parking for the collection vehicle. Budget it per collection: with us a standard collection starts from £80 and a whole caged van from £350, with studio strikes and multi-day shoots quoted per job.

1.Step 1: map where the waste comes from

Production waste isn’t one pile. It comes from different departments, at different times, and needs different handling. Start by listing each source for every location and base on the schedule.

SourceTypical wasteWhen it appears
Unit base and cateringFood waste, cardboard, bottles and cans, general wasteEvery day
DeliveriesCardboard boxes, pallet wrap, soft plasticsEarly in the shoot and at each new location
Set build and dressingTimber, MDF, flats, dressing that won’t be reusedAt the strike
Greens and seasonal dressingFoliage, trees, plantsAt the strike
Offices and production basePaper, cardboard, mixed recyclingThroughout, and at the end of production

The unit base produces the steady daily waste. The set produces the big, heavy loads at the strike. Planning them separately is what keeps the strike from becoming an emergency. If you’re new to the term, our guide explains what a unit base is.

2.Step 2: choose your waste streams

Separating waste on set is what makes recycling possible. We work with six main streams: general waste, dry mixed recycling, food waste, cardboard, wood and green waste. You don’t need all six on every shoot. A one-day commercial in a studio might only need three. A long location shoot with catering will need most of them.

Decide before day one, because changing the system halfway through confuses the crew and contaminates the bags. Our guide to recycling streams on a film set explains how to prepare each one.

Flattened cardboard tipped from a caged van at a recycling centre
Flattened cardboard tipped from a caged van at a recycling centre

3.Step 3: build collections into the schedule

Collections should follow the schedule, not the other way round. Look at the call sheets and mark the moments waste has to go:

  • Every wrap at a location you won’t return to. The location has to be clear before you hand it back.
  • Every base move. Clear the old base before the trucks leave, not after.
  • Regular collections on long bases, so waste doesn’t pile up for days between moves.
  • The strike. Usually the biggest collection of the shoot, and often the one with the tightest deadline.

Early calls, late wraps and weekend collections are normal for us. What helps most is a clear time and an honest picture of how much waste there will be.

4.Step 4: plan access and parking

A collection vehicle that can’t get near the waste is the most common cause of a slow, expensive clearance. For each pickup, note where the van can stop legally, how far the waste has to be carried, and anything awkward on the way: stairs, lifts, gates, low arches or soft ground.

The customer is responsible for suitable, legal parking as close to the collection point as possible. Tell us about loading bays, permits or restrictions in advance. Parking, congestion or emission-zone charges linked to the collection are added where they apply.

5.Step 5: budget it

Waste is easy to budget once you know how many collections you need. Our film work is quoted per job, and these are our standard rates as a guide:

CollectionPriceSuits
Standard collectionfrom £80Smaller loads from a single location or base
Whole cagefrom £350A full caged van: a busy base, a big wrap, a small strike
Studio and multi-dayQuoted per jobStrikes, multi-day wraps and regular base collections

6.Step 6: decide what you need to report

More productions now have to show what happened to their waste, whether for a broadcaster, a sustainability certificate or their own targets. Decide at the start what you’ll need, because it’s hard to reconstruct afterwards. Counting bags per stream as you go, or simply keeping the streams apart until collection, is far easier than estimating at the end.

We provide a free waste report on request. It includes the number of bags and the approximate weight collected, so the production can see how it did on recycling, plus a summary with an estimated carbon impact.

Need film & tv waste removal in London?WhatsApp us your photos, call 07379 190757, or build your quote online.
FAQS

Questions people ask.

As soon as you know the locations and wrap times. We do our best to fit in last-minute requests, but early bookings let us plan vehicles around your schedule.

Yes. We support anything from a single collection to large projects with several vehicles, collections and waste streams, and adapt regular collections as the shoot develops.

Heavy-duty sacks can be provided on site. Ask for them when you book so we bring enough.

Per job, from photos or a description of the waste, the access and the timing. As a guide, a standard collection starts from £80 and a whole cage from £350.

Usually the locations department, because they hand each location back. On bigger shoots the unit manager runs the base side and the art department plans the strike. What matters is that one person books the collections and knows the schedule.
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Whatever needs clearing, recycling or moving — we're ready to get it sorted.